This rich setting includes all four verses of the hymn for choir with piano and/or orchestra accompaniment. The choral parts begin with unison singing of the first verse followed by alternating phrases of
A minimum quantity of 5 is required on this title.
A minimum quantity of 10 is required on this title.
This beautiful setting of EVENTIDE is scored for SATB choir and organ. The composer carefully and sensitively captures the beauty and meaning of the text throughout. This piece is well suited for evening
A much-loved hymn reminds us to treasure each moment and to trust God's promise of eternal peace and rest. Warm harmonies, effective key changes, and a contrasting verse in 3/4 contribute to the thoughtful
The traditional hymn that has played throughout the Christian church for years has been freshly arranged with a contemporary sound for SATB with Piano accompaniment. Accessible and appropriate for any
This splendid setting features a stirring original melody with LASST UNS ERFREUEN deftly woven throughout. The mixed meters, joyous piano accompaniment, and always-creative vocal writing help this anthem
A minimum quantity of 8 is required on this title.
Originally conceived with full orchestra accompaniment, this glorious setting of LASST UNS ERFREUEN also works well with organ accompaniment. The choral texture varies by stanza and includes some choral
One of the great hymns of the faith is decorated with moving, festive flourishes. Designed for church groups of any size, the choral writing and the optional orchestration are fashioned for success.
This effective pairing of two mid-century classics conveys a substantive message of a personal relationship with Christ. Opening in F major for the first tune, a very effective modulation to B-flat major
Opening with the traditional tune VESPER HYMN, heard first in the women's and then the men's verses, this setting modulates as the piano becomes more involved and the choir sings original music. The
The delicate melody befitting this familiar text gains gentle momentum by a continual movement in the keyboard. A quintessential piece for spring from renowned composer John Rutter.
After a lengthy introduction featuring organ and C instrument, the choir enters singing HOLY MANNA, first in unison and then in canon. Transitional harmonic regions color the third verse, then the return of